Two examples from Vladimir Kramnik, taken from Kramnik, Vladimir; Damsky, Igor: My Life and Games, Everyman Chess, 2000.
1) A smile in the endgame
Position after 48.Ne5:
[Title "Kramnik, Vladimir - Ivanchuk, Vasily, Las Palmas 1996"]
[FEN "8/6K1/7P/4N3/8/k7/8/1b6 b - - 0 0"]
1...Kb4 {The black king is hurrying towards g5.} 2. Ng6 Bxg6 3. Kxg6 {And in view of the variation 50...Kc5 51.h7 Kd6 52.h8=Q my opponent finally resigned.}
Game 151, p. 194
Link to the game
2) In the mystification genre
Kramnik annotates Kramnik, Vladimir - Timman, Jan, Wijk aan Zee 1999 (game 173) on pp. 250-254 in an unusual manner. Her parodies commenters:
I have often begun noticing that the commentaries of certain well-known (and not so well-known) players would be correctly characterised as "frankly hack-work", by no means aimed at searching for the truth.
He then goes on to give 4 reasons, that I paraphrase
- Winner wants to make it seem like their opponent "was doomed [...] even before the first move".
- Doesn't want to recognize own mistakes.
- Doesn't want to waste their time and effort on commentary.
- "Anything else."
But he believes that the 3rd reason occurs more often than all the others.
Then comes Part 1 of the commentary (move 1 to 41), followed by Part 2 (moves 26 to 36). Part 2 concentrates on specific moves and is much more thorough. It turns out that annotations from Part 1 from move 26 onwards are parodies of the above mentioned commenters. They are short, but authoritatively sounding, and are refuted in Part 2 which is much more critical of both, Kramnik's and Timman's moves.
After all that has been said, it becomes clear that the play of both players in the game was far from ideal. [...]
Link to the game